Wednesday, December 31, 2008

Whales on Stilts (M. T. Anderson's Thrilling Tales)


#231
Title: Whales on Stilts (M. T. Anderson's Thrilling Tales)
Author: M. T. Anderson
Publisher: Harcourt
Year: 2006
214 pages

Cute. With discursive asides reminiscent of Lemony Snicket and a wealth of absurd details, this is a lighthearted send-up of serial youth adventure/detective novels. It's a quick read, fun, and requires little reflection. Book candy, which occasional eruptions of melancholic disquisition. Enjoy.

Tuesday, December 30, 2008

Culture Smart! Thailand: The Essential Guide to Customs & Culture


#230
Title: Culture Smart! Thailand: The Essential Guide to Customs & Culture
Author: Roger Jones
Publisher: Kuperard
Year: 2003
168 pages

My copy is a British version with a slightly different title from the U.S. edition.

The Thai guidebook is better than some in the series. There is some attention to aspects of culture and history that would help a traveler understand some aspects of contemporary Thailand, and the author provides some specific etiquette and behavior tips. I would still prefer more specific information on how to interact politely (especially in business settings, and for women).

Though there is an effort to be inclusive, the general assumption still seems to be that the reader is a straight, white man who is primarily on a pleasure trip but perhaps in a business context. (I base this on clues such as reference to the reader's fair skin, and information on prostitutes.) As to this last parenthetical point, like many authors, Jones takes the opportunity to assure the reader (in a somewhat defensive tone) that Thai sex work is an opportunity for "the girls" and is not exploitative. One longs for an evenly-balanced presentation of the benefits and detriments, and a more nuanced presentation, if the author feels that information on prostitution belongs in an "essential guide to customs and culture" at all.

Thrumpton Hall: A Memoir of Life in My Father's House


#229
Title: Thrumpton Hall: A Memoir of Life in My Father's House
Author: Miranda Seymour
Publisher: HarperCollins
Year: 2007
284 pages

I read this after reading some fairly negative reviews, so I was pleased to enjoy it. Seymour's memoir stresses the "father" of her subtitle more than the "house," though the house plays a great role in both their lives. While there are some passages evoking the house directly through Seymour's eyes, her perceptions, as well as the reader's, are heavily filtered through her father's. Some reviewers have summed the book up as, essentially, "Boo hoo, I'm rich but I hate my father!" This is an extremely superficial reading of a much more complex narrative. Seymour uses Catullus's pithy "I love and I hate" (odi et amo)  throughout to structure her account of many facets of her relationship with her father: Both extremes of her sentiment toward him, the poles of her certainty and doubt, her own negative self-regard, and other intertwined aspects of this relationship. Seymour's mother functions as a corrective narrator (though one presumes not always an accurate one), consistently serving up the refrain that Seymour is misunderstanding, or nursing old grievances, or airing the dirty linens. This device works well to allow Seymour to demonstrate how she questions her own interpretations and struggles to understand the intersecting and diverging truths of her own and her mother's experiences of their family history. This includes their reluctance to speak about whether her father had affairs with young men.

As to her father himself, I do wonder whether he had a temporal lobe disorder (which might account for his pedantry, his social difficulties, his often humorless and emotionally wounded interactions, the heightened importance and meaning with which he imbues some aspects of the world, and his obsessiveness). Seymour does not describe her father throwing tantrums as a child, but does highlight his irritability and great lability and anger as an adult; this description makes me wonder whether the concussion he suffered during his military service caused a closed-head brain injury that exacerbated his earlier difficulties. Just a speculation based on Seymour's descriptions.

For two additional accounts by children of parents passionately emotionally invested in an old house (as well as the financial and legal tangles of ownership and inheritance) intertwined with narratives about homosexuality and family secrets, read Nigel Nicholson's Portrait of a Marriage on his parents, Harold Nicholson and Vita Sackville-West, and Alison Bechdel's graphic novel, Fun Home: A Family Tragicomic.

Thursday, December 25, 2008

The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume One: The Pox Party


#228
Title: The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume One: The Pox Party
Author: M. T. Anderson
Publisher: Candlewick
Year: 2006
377 pages

Good enough that I may replace my paperback with a hardbound copy. Classified as young adult fiction (perhaps only because of its young adult protagonist) this first volume of Octavian Nothing reads a bit like Stephenson's Baroque Cycle, only interesting, coherent, and with a discernible plot and character empathy. In addition to the action, set in the early U.S. Revolutionary War period, the major thematic material concerns Octavian's identity. He is simultaneously royalty and slave, collaborator and experimental subject, learned and naive. Volume two may (as the subtitle of this volume suggests) explore Patriot vs. Loyalist. Octavian Nothing raises many questions about whether ends justify means, about struggles for liberty (liberty for whom?), and the virtues and limits of empirical knowledge.

Some reviewers have complained that the language is too mannered and stylistic, but I found it atmospheric rather than detracting. It adds to the historical flavor, and also serves to demonstrate Octavian's rarified upbringing and separation from the general community. The text is suffused with a dry wit and symbolic events that satirize aspects of the plot and characters' struggles and aspirations. Some of these are recognized by some characters; others are not. The mannered tone, arch at times, provides linguistiic containment for otherwise horrific content. Anderson manages this balance quite elegantly. This meticulousness of form and language extends to the book's typesetting in Casalon, a font popular in the American colonial period.

Of note is a self-referential joke on page 203 in the paperback edition. Dr. Trefusis muses, "When I peer into the reaches of the most distant futurity, I fear that even in some unseen epoch when there are colonies even upon the moon itself, there shall still be gatherings like this, where the young, blinded by privilege, shall dance and giggle and compare their poxy lesions." This, of course, is the initial action in Anderson's previous novel Feed.

Monday, December 22, 2008

Feed


#227
Title: Feed
Author: M. T. Anderson
Publisher: Candlewick
Year: 2004
320 pages

Dystopian cyberpunk for teens. This is the first of Anderson's I've read and it disposes me to read more (which is good, since I bought it in order to see if I wanted to take on his The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume One: The Pox Party). Anderson captures teenspeak, sometimes excruciatingly so, and teen preoccupations. This is a cautionary tale about capitalism, consumerism, the environment, and technology. It is not a typical teen novel and its ending is also atypical in that it does not neatly wrap up the novel's events or emotions.

The used copy I bought had someone's air ticket stub stuck to the back cover with gum, which seemed apropos.

Saturday, December 20, 2008

Julian: A Christmas Story

#226
Title: Julian: A Christmas Story
Author: Robert Charles Wilson
Publisher: PS Publications
Year: 2006
86 pages

Julian: A Christmas Story is a novella that apparently will be incorporated into Wilson's forthcoming Julian Comstock: A Story of 22nd-Century America (scheduled for release June 9).

I've ordered a copy from PS Publications (first edition, 500 copy print run, introduction by Robert J. Sawyer). However, I read it on line because I needed a Robert Charles Wilson fix. The online copy is at http://www.kith.org/RCW/Julian_Christmas.pdf and the introduction by Robert J. Sawyer is at http://www.sfwriter.com/rcwilson.htm.

Set in a post-collapse United States (60 of them) with a distinct 18th- or 19th-century religious and technological character, this novella is presented in a voice that differs from Wilson's usual: The more mannered and self-conscious voice of Julian's friend Adam, a young man of lower social status and greater naivete. It feels like the set-up for a longer story even though there is action, emotional change, and some resolution to the episode being recounted. In tone and some thematic material it recalls Heinlein's novella "If This Goes On--" (1940) with Adam Hazzard perhaps in John Lyle's role. It will be interesting to see where Wilson goes with it.

Friday, December 19, 2008

The Lowbrow Guide to World History


#225
Title: The Lowbrow Guide to World History
Author: Michael Powell
Publisher: Barnes and Noble
Year: 2004
144  pages

That it is no longer readily available and that no photos of the US cover appear on line demonstrates that I am not alone in finding this book less than adequate. Powell can't decide whether this is to be fact-based humor (e.g., humorous or bizarre true facts) or a parody of history (e.g., amusing lies). The result is an uneasy and not particularly entertaining mix of too little of each, made more distasteful by strained attempts at sexual jocularity that just make me wince with embarrassment for the author. In addition, some of the entries contain factual errors that appear to be--well, factual errors, not errors made deliberately for humorous effect. For example, he refers in separate entries to psychoactive mushrooms and cocaine respectively as "amphetamines"; amphetamine is a stimulant, but not all stimulants are amphetamines. Powell gets one thing right, though unwittingly: With only a few exceptions, this "world history" is a US/British/Western European history, just like a lot of "world" history texts. Hah. Good one.

The Arrival


#224
Title: The Arrival
Author: Shaun Tan
Publisher: Arthur A. Levine/Scholastic
Year: 2006
128  pages

Despite the Arthur A. Levine imprint, this gorgeous and startling book is not a children's or young adult publication, though it would be appropriate for readers of any age. Tan depicts the immigrant's experience poignantly, viscerally, and with great complexity, all without any text. (Text does appear, but like the unnamed immigrant protagonist, we cannot read it.) Tan has done a wonderful job of evoking the wonder and the fear inherent in new surroundings. Each of the characters the protagonist interacts with has his or her own back story to explain the circumstances that compelled their travel (or flight) from their homelands. Tan's drawings depict emotion and action very clearly and it is easy to follow the narrative. Subsequent readings reveal both ominous and hilarious details.

The creatures that accompany people in the new world reminded me a little of Philip Pullman's daemons, as visualized by Edward Gorey. My partner sees it more as Michael Sowa.

Tuesday, December 16, 2008

The Drifting of Spirits


#223
Title: The Drifting of Spirits
Author: Gisèle Pineau
Publisher: Quartet Books
Year: 1993/1999 (tr.)
Country: Guadalupe
254  pages

The appended essay on Créolité ("Afterword") notwithstanding, I didn't find The Drifting of Spirits compelling or especially interesting. Perhaps it was a translation issue, but I never felt emotionally engaged with any of the characters. They seemed more cartoonish than I was expecting as well. In this way it reminded me of many of Kim Stanley Robinson's books (such as the Mars trilogy). Also an award winner, Robinson has the same distanced style in which the characters, no matter how vividly they are described, retain a cool distance from the reader; his plots, like this one, sprawl and are unpredictable, forcing the reader to be passive in relation to the story. The message of The Drifting of Spirits seems to be that no matter how good or decent you are, evil will take you down. I don't mind the fatalism, but I am left thinking that if this was the point, it might be better served by a poem than a novel.

Bridge to Terabithia


#222
Title: Bridge to Terabithia
Author: Katherine Patterson
Illustrator: Donna Diamond
Publisher: HarperTrophy
Year: 1977
191 pages

This is a reasonably well-constructed book for middle readers, if a little soppy from an adult perspective. Patterson does a good job of showing world view differences based on social class and status, using this as the emotional scenery for her coming-of-age story.

There were two related points where the plot did not ring true: Jess's teacher calls him early in the morning, which May Belle and possibly an adult answering the phone knew about. Further, Jess explains his plan to his mother. However, no one seems to remember this, even when prompted by May Belle. Second, in light of the events of this day, it is very strange to me that this teacher disappears from the narrative.

Read with Le Guin's The Beginning Place for a set-up that is similar in some ways, but told in the fantasy genre.

The Invention of Hugo Cabret


#221
Title: The Invention of Hugo Cabret
Author: Brian Selznick
Publisher: Scholastic
Year: 2007
533 pages

An unexpectedly lovely fusion of illustrated book and graphic novel. Selznick's hundreds of drawings tell the story rather than mirroring it, while text is always presented separately, giving it a non-cartoon, non-manga look. Selznick's story weaves together multiple threads (or, to use a more pertinent metaphor, assembles seemingly disparate pieces). Though stylistically different, Selznick's illustrations share both some proportions and a quality of earnest emotion that reminds me of Garth Williams's illustrations for the Laura Ingalls Wilder books. The historical and fictional elements are nicely integrated, and the story itself is surprisingly moving. Though it's a quick read, it would repay more leisurely exploration.

Beedle the Bard


#220
Title: Beedle the Bard
Author: J. K. Rowling
Publisher: Arthur A. Levine/Scholastic
Year: 2008
128 pages

This sweet little collection of folk tales from the wizarding world will be a pleasure for Harry Potter fans. It stands alone more effectively than the previous two "schoolbooks," Quidditch through the Ages and Fantastic Beasts and Where to Find Them, but probably won't be very attractive for those unfamiliar with Harry Potter. Rowling again demonstrates her grasp of myth and fairy tale structure with several well-crafted and deceptively simple moral tales. She does not shy away from Brothers Grimm-style motifs (notably in “The Warlock’s Hairy Heart”), but for the most part, the imagery is relatively benign. Rowling's charming illustrations add interest to the book as well.

My favorite part is not the stories but Dumbledore's commentaries. Rowling uses them to mock bowdlerization, syrupy concerns about children's presumptive innocence, interpretation and its motives, and even exegesis. Overall, the moral lessons are to be kind and generous and pay attention to new information, while not being covetous, cruel, or stupid. This seems like a reasonable adjuration.

(However, if anyone is moved to pick me up a copy of the  collectors edition at Amazon, they just went from $100 new to $220 used and new this afternoon.

Friday, December 12, 2008

This Cold Heaven: Seven Seasons in Greenland


#219
Title: This Cold Heaven: Seven Seasons in Greenland
Author: Gretel Ehrlich
Publisher: Vintage
Year: 2001
Country: Greenland
400 pages

She doesn't live in Greenland, but clearly has spent considerable time there over many years, and eaten a great deal of raw seal while crouched in the lee of a glacier, which is good enough for me.

Ehrlich's account of her multiple trips to Greenland is a bit like hallucinatory/incantatory Annie Dillard (e.g., Holy the Firm) crossed with Jon Krakauer and dusted with cocaine. Her account is sometimes lyrical and sometimes approaches word salad with associations that are difficult to track. Most of the time, though, her train of thought can be tracked, if not anticipated, and she evokes Greenland's climate so effectively that I was shivering while I read this on Oahu.

Ehrlich has made numerous long visits to Greenland and has become familiar with the land and the people, forging enduring and deep relationships. She is a motherlode of facts and brings in other travelers' narratives (and long glosses of these in some cases, such as Rockwell Kent). As some reviewers have noted (e.g., in discussing A Match to the Heart), she makes some jarring factual errors that should have been caught by an editor. For example, she asserts, "The glacier-carved seabed was 1,000 kilometers deep" (p. 81). This is 1,000,000 meters. Since the Marianas Trench, the lowest point on the globe, is about 11,000 meters deep, Ehrlich probably meant "meters." Because Ehrlich is working in the nature/travel genres as well as the ecstatic/poetic, errors of this sort are all the more jolting.

I enjoyed Ehrlich's reports and musings despite some repetition borne of not revising and harmonizing segments that were first published elsewhere. She has had some magnificent adventures. I'd have liked to know more about her relationships and what her journeys meant to her personally. Though she names emotions, the text comes off as quite distanced and cerebral.

At the same time as I enjoyed the narrative, I was troubled by some of Ehrlich's behaviors and risks that seem foolhardy. These are foregrounded by the history of cold-weather exploration and sport, where small preparatory omissions and lack of planning has destroyed entire teams and expeditions. In one instance, her luggage is lost and she is wearing inadequate clothing. It appears that she simply ignores this rather than borrowing or buying, say, a good coat. This seems counterphobic, negligent, impulsive, or all three. Chris McCandless, the subject of Krakauer's Into the Wild, was soundly excoriated for much less. The difference is that he died and Ehrlich has not. That's a thin line, and I do wish she'd take better care of herself.

Wednesday, December 10, 2008

A Pocket Guide to Hawai'i's Flowers

#218
Title: A Pocket Guide to Hawai'i's Flowers
Authors: Douglas Peebles (photography) & Leland Miyano (text)
Publisher: Mutual Publishing
Year: 1997 (7th printing, 2003)
80 pages

This guide is all right for a pocket reference, but it's not clear why entries appear in the order they do. In addition, even entries that appear to be related turn out not to be; thus, plants mistaken as, but not, gingers are grouped nonetheless under gingers.

Thursday, December 4, 2008

Off the Rails in Phnom Penh: Into the Dark Heart of Guns, Girls, and Ganja


#217
Title: Off the Rails in Phnom Penh: Into the Dark Heart of Guns, Girls, and Ganja
Author: Amit Bilboa
Publisher: Asia Books
Year: 1998
197 pages

After Thomas Kohnstamm's unenjoyable Do Travel Writers Go to Hell?, I was prepared for even worse fare from Bilboa. I was pleasantly surprised to find that much of Off the Rails in Phnom Penh was interesting and engaging. This is not to say that the reader does not have to wade through long passages in which Bilboa experiences or feigns astonishment that drug abusers with poor work ethics and social skills might possibly have sex with underaged prostitutes and engage in other antisocial activities. This would have been fine except that Bilboa feels the need to quote these people and regale the reader with their repetitive exploits. Had he not, and instead summarized this content, this could have been an excellent book; as it stands, portions of the book are excellent and thought-provoking, but sandwiched between rather repetitive and offensive content that is neither gripping nor shocking, but merely tedious and annoying, Bilboa has a good point to make about how the bizarre lifestyles of some of his expatriate friends mirror the absurdity of life in Cambodia in the 1990s. This would be a more striking point if his friends' behavior weren't, in fact, typical of a certain segment of travelers and expats who seem to think that if they are not in their own country, and they have money or power, anything goes. That's not bohemianism or authenticity, it's just colonialism, and it's no less objectionable for being enacted by individuals than by governments.

There are sections good enough to teach with, but I can't because of the level of sexual exploitation narrated and the obscenity of the language. I would use excerpts to illustrate a lecture point, and may yet. Unfortunately, my copy was one of several I've recently bought online from Powells that are too mildewed* to put on a shelf without risking damage to my other books, so after reading it (stored in a plastic bag when not use), I have to discard it.

*Powells has been nothing but helpful and apologetic, which matters, too.

The Harmony Silk Factory


#216
Title: The Harmony Silk Factory
Author: Tash Aw
Publisher: Berkley
Year: 2005
Country: Malaysia
413 pages

Aw's first novel is an extended study of one man, Johnny Lim. Stories about Johnny are told by three narrators in three sections. Each has a complex emotional relationship with Johnny. His disaffected son, eager to expose his father's crimes; his wife Snow, whose diary reveals a more tentative and vulnerable man; and Peter, a British friend who has fled to Malaysia but finds he cannot escape himself. Aw does a good job of differentiating each narrator's voice and preoccupations. There isn't a lot of action here, or even resolution. Rather, the pleasure of the story is in the reader's accretion of knowledge about Johnny, and the somewhat voyeuristic satisfaction of seeing more perspectives than each narrator.

Do Travel Writers Go to Hell?: A Swashbuckling Tale of High Adventures, Questionable Ethics, & Professional Hedonism


#215
Title: Do Travel Writers Go to Hell?: A Swashbuckling Tale of High Adventures, Questionable Ethics, & Professional Hedonism
Author: Thomas Kohnstamm
Publisher: Three Rivers Press
Year: 2008
285 pages

Kohnstamm's memoir is not so much about writing his first guidebook for Lonely Planet as it is a self-congratulatory screed lauding substance abuse, poor choices, dubious sexual encounters, and generally unpleasant behavior. Kohnstamm seems to think he's charming and attractive, yet there's little in his self-description to incline the reader in that direction. I was willing to hold my distaste in abeyance until he sold drugs to supplement his income, at which point I read more from determination to finish than from interest. Kohnstamm seems to need life to be dramatic to be meaningful, and appears to view only drugs and bad behavior as authentic. In his list of categories of travel writers, he omits "unhappy drunk ," though he illustrates it nicely throughout. Two stars for the parts that are interesting, though it's like wiping away someone else's vomit to get to them.