Wednesday, December 31, 2008

Whales on Stilts (M. T. Anderson's Thrilling Tales)


#231
Title: Whales on Stilts (M. T. Anderson's Thrilling Tales)
Author: M. T. Anderson
Publisher: Harcourt
Year: 2006
214 pages

Cute. With discursive asides reminiscent of Lemony Snicket and a wealth of absurd details, this is a lighthearted send-up of serial youth adventure/detective novels. It's a quick read, fun, and requires little reflection. Book candy, which occasional eruptions of melancholic disquisition. Enjoy.

Tuesday, December 30, 2008

Culture Smart! Thailand: The Essential Guide to Customs & Culture


#230
Title: Culture Smart! Thailand: The Essential Guide to Customs & Culture
Author: Roger Jones
Publisher: Kuperard
Year: 2003
168 pages

My copy is a British version with a slightly different title from the U.S. edition.

The Thai guidebook is better than some in the series. There is some attention to aspects of culture and history that would help a traveler understand some aspects of contemporary Thailand, and the author provides some specific etiquette and behavior tips. I would still prefer more specific information on how to interact politely (especially in business settings, and for women).

Though there is an effort to be inclusive, the general assumption still seems to be that the reader is a straight, white man who is primarily on a pleasure trip but perhaps in a business context. (I base this on clues such as reference to the reader's fair skin, and information on prostitutes.) As to this last parenthetical point, like many authors, Jones takes the opportunity to assure the reader (in a somewhat defensive tone) that Thai sex work is an opportunity for "the girls" and is not exploitative. One longs for an evenly-balanced presentation of the benefits and detriments, and a more nuanced presentation, if the author feels that information on prostitution belongs in an "essential guide to customs and culture" at all.

Thrumpton Hall: A Memoir of Life in My Father's House


#229
Title: Thrumpton Hall: A Memoir of Life in My Father's House
Author: Miranda Seymour
Publisher: HarperCollins
Year: 2007
284 pages

I read this after reading some fairly negative reviews, so I was pleased to enjoy it. Seymour's memoir stresses the "father" of her subtitle more than the "house," though the house plays a great role in both their lives. While there are some passages evoking the house directly through Seymour's eyes, her perceptions, as well as the reader's, are heavily filtered through her father's. Some reviewers have summed the book up as, essentially, "Boo hoo, I'm rich but I hate my father!" This is an extremely superficial reading of a much more complex narrative. Seymour uses Catullus's pithy "I love and I hate" (odi et amo)  throughout to structure her account of many facets of her relationship with her father: Both extremes of her sentiment toward him, the poles of her certainty and doubt, her own negative self-regard, and other intertwined aspects of this relationship. Seymour's mother functions as a corrective narrator (though one presumes not always an accurate one), consistently serving up the refrain that Seymour is misunderstanding, or nursing old grievances, or airing the dirty linens. This device works well to allow Seymour to demonstrate how she questions her own interpretations and struggles to understand the intersecting and diverging truths of her own and her mother's experiences of their family history. This includes their reluctance to speak about whether her father had affairs with young men.

As to her father himself, I do wonder whether he had a temporal lobe disorder (which might account for his pedantry, his social difficulties, his often humorless and emotionally wounded interactions, the heightened importance and meaning with which he imbues some aspects of the world, and his obsessiveness). Seymour does not describe her father throwing tantrums as a child, but does highlight his irritability and great lability and anger as an adult; this description makes me wonder whether the concussion he suffered during his military service caused a closed-head brain injury that exacerbated his earlier difficulties. Just a speculation based on Seymour's descriptions.

For two additional accounts by children of parents passionately emotionally invested in an old house (as well as the financial and legal tangles of ownership and inheritance) intertwined with narratives about homosexuality and family secrets, read Nigel Nicholson's Portrait of a Marriage on his parents, Harold Nicholson and Vita Sackville-West, and Alison Bechdel's graphic novel, Fun Home: A Family Tragicomic.

Thursday, December 25, 2008

The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume One: The Pox Party


#228
Title: The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume One: The Pox Party
Author: M. T. Anderson
Publisher: Candlewick
Year: 2006
377 pages

Good enough that I may replace my paperback with a hardbound copy. Classified as young adult fiction (perhaps only because of its young adult protagonist) this first volume of Octavian Nothing reads a bit like Stephenson's Baroque Cycle, only interesting, coherent, and with a discernible plot and character empathy. In addition to the action, set in the early U.S. Revolutionary War period, the major thematic material concerns Octavian's identity. He is simultaneously royalty and slave, collaborator and experimental subject, learned and naive. Volume two may (as the subtitle of this volume suggests) explore Patriot vs. Loyalist. Octavian Nothing raises many questions about whether ends justify means, about struggles for liberty (liberty for whom?), and the virtues and limits of empirical knowledge.

Some reviewers have complained that the language is too mannered and stylistic, but I found it atmospheric rather than detracting. It adds to the historical flavor, and also serves to demonstrate Octavian's rarified upbringing and separation from the general community. The text is suffused with a dry wit and symbolic events that satirize aspects of the plot and characters' struggles and aspirations. Some of these are recognized by some characters; others are not. The mannered tone, arch at times, provides linguistiic containment for otherwise horrific content. Anderson manages this balance quite elegantly. This meticulousness of form and language extends to the book's typesetting in Casalon, a font popular in the American colonial period.

Of note is a self-referential joke on page 203 in the paperback edition. Dr. Trefusis muses, "When I peer into the reaches of the most distant futurity, I fear that even in some unseen epoch when there are colonies even upon the moon itself, there shall still be gatherings like this, where the young, blinded by privilege, shall dance and giggle and compare their poxy lesions." This, of course, is the initial action in Anderson's previous novel Feed.

Monday, December 22, 2008

Feed


#227
Title: Feed
Author: M. T. Anderson
Publisher: Candlewick
Year: 2004
320 pages

Dystopian cyberpunk for teens. This is the first of Anderson's I've read and it disposes me to read more (which is good, since I bought it in order to see if I wanted to take on his The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume One: The Pox Party). Anderson captures teenspeak, sometimes excruciatingly so, and teen preoccupations. This is a cautionary tale about capitalism, consumerism, the environment, and technology. It is not a typical teen novel and its ending is also atypical in that it does not neatly wrap up the novel's events or emotions.

The used copy I bought had someone's air ticket stub stuck to the back cover with gum, which seemed apropos.

Saturday, December 20, 2008

Julian: A Christmas Story

#226
Title: Julian: A Christmas Story
Author: Robert Charles Wilson
Publisher: PS Publications
Year: 2006
86 pages

Julian: A Christmas Story is a novella that apparently will be incorporated into Wilson's forthcoming Julian Comstock: A Story of 22nd-Century America (scheduled for release June 9).

I've ordered a copy from PS Publications (first edition, 500 copy print run, introduction by Robert J. Sawyer). However, I read it on line because I needed a Robert Charles Wilson fix. The online copy is at http://www.kith.org/RCW/Julian_Christmas.pdf and the introduction by Robert J. Sawyer is at http://www.sfwriter.com/rcwilson.htm.

Set in a post-collapse United States (60 of them) with a distinct 18th- or 19th-century religious and technological character, this novella is presented in a voice that differs from Wilson's usual: The more mannered and self-conscious voice of Julian's friend Adam, a young man of lower social status and greater naivete. It feels like the set-up for a longer story even though there is action, emotional change, and some resolution to the episode being recounted. In tone and some thematic material it recalls Heinlein's novella "If This Goes On--" (1940) with Adam Hazzard perhaps in John Lyle's role. It will be interesting to see where Wilson goes with it.

Friday, December 19, 2008

The Lowbrow Guide to World History


#225
Title: The Lowbrow Guide to World History
Author: Michael Powell
Publisher: Barnes and Noble
Year: 2004
144  pages

That it is no longer readily available and that no photos of the US cover appear on line demonstrates that I am not alone in finding this book less than adequate. Powell can't decide whether this is to be fact-based humor (e.g., humorous or bizarre true facts) or a parody of history (e.g., amusing lies). The result is an uneasy and not particularly entertaining mix of too little of each, made more distasteful by strained attempts at sexual jocularity that just make me wince with embarrassment for the author. In addition, some of the entries contain factual errors that appear to be--well, factual errors, not errors made deliberately for humorous effect. For example, he refers in separate entries to psychoactive mushrooms and cocaine respectively as "amphetamines"; amphetamine is a stimulant, but not all stimulants are amphetamines. Powell gets one thing right, though unwittingly: With only a few exceptions, this "world history" is a US/British/Western European history, just like a lot of "world" history texts. Hah. Good one.